Nice Folks Finish First

The fall of Harvey Weinstein has illuminated some of the longstanding practices of sexual exploitation in Hollywood. People also mention how he and his brother were bullies, routinely yelling and...

/ 14th November 2017

Daniel Sadowski on his retro game score for Bloody Zombies

"I used the TK-Audio BC1 hardware compressor as well as an SSL Clone. By running the soft synths through these hardware compressors and then back into Cubase, I could get...

/ 13th November 2017

Patrick Doyle’s film score for Murder on the Orient Express out now

Sony Classical proudly announces the release of MURDER ON THE ORIENT EXPRESS (Original Motion Picture Soundtrack) with an original score by Academy Award-nominated composer Patrick Doyle, including a song performed...

/ 6th November 2017

Blade Runner 2049 by Benjamin Wallfisch and Hans Zimmer (Soundtrack Review)

I am not sure ambient scores can get much better than this.

/ 5th November 2017

Diane Warren to receive Career Achievement Award at 8th HMMA

The Hollywood Music in Media Awards will present acclaimed songwriter Diane Warren with the HMMA Career Achievement award on Thursday, November 16th at Avalon – Hollywood, 1717 Vine St.  The HMMA is...

/ 3rd November 2017

Mychael and Jeff Danna’s film score for Alias Grace out soon

"We chose a chamber group of virtuosic musicians to lay out the complicated fabric of the musical world of ALIAS GRACE. There was interwoven string parts, often with one player...

/ 2nd November 2017

Evgueni and Sacha Galperine’s film score for Loveless out soon

“Director Andrey Zvyagintsev’s cinema always shows the invisible link between the intimate stories of human beings and the universe. And often the music personifies this link. Finding the way to...

/ 2nd November 2017

National Geographic’s Jane premiered with a beautiful live performance of the score by Philip Glass

At the legendary Hollywood Bowl in Los Angeles, CA, the hollywood orchestra, conducted by William Ross, performed live to picture the score composed by Philip Glass to the newest Nat...

/ 1st November 2017

Danny Elfman’s film score for Justice League out now

“I’m using the same thematic material that I used back then. It never actually went away. We’ve got these iconic bits from our past and that’s part of us, that’s...

/ 31st October 2017

Sonya Belousova’s and Giona Ostinelli’s film score for M.F.A. out now

"Noelle is changing, and so one word present throughout the whole score is "change". You can find it almost in every cue, you don't always hear it, but you subconsciously...

/ 31st October 2017

Sebastian Pecznik on working with live musicians on film scores

"To decide what to do with the music budget is where experience and both techniques and having studied music really come in handy."

/ 29th October 2017

Ronen Landa on his scores for Woodsrider, A Rising Tide, and Eloise

“[On Woodsrider] we had the challenge of making music for a film that features snowboarding but feels nothing like an ‘extreme sports’ movie. It’s about growing up, persistence and self-discovery.”

/ 27th October 2017