
Listen: Filippo Beck Peccoz on Shadow Tactics: Blades of the Shogun OST
"In the end, we need to serve the game itself."

Thor Ragnarok by Mark Mothersbaugh (Soundtrack Review)
Thank you, Mr. Mothersbaugh. Humanity is forever in your debt.

Stranger Things Season 2 by Michael Stein & Kyle Dixon (Soundtrack Review)
“Stranger Things” sounds nice, but doesn't tell you anything which is an unforgivable pity.

Don’t be afraid of being weird: Inside Elephant Music’s trailer world with Vikram Gudi
Quietly yet with plenty of noise, London-based boutique agency Elephant Music has turned into one of the rising stars of the trailer scene. I got to speak with its founder and CEO...

The winners of the 2017 Hollywood Music and Media Awards
Over two thousand attendees including leading songwriters, composers and recording artists attended Thursday’s Hollywood Music and Media Awards at the Avalon – Hollywood. The event, hosted by comedian Ron Pearson,...

Daniel Sadowski on his retro game score for Bloody Zombies
"I used the TK-Audio BC1 hardware compressor as well as an SSL Clone. By running the soft synths through these hardware compressors and then back into Cubase, I could get...

Patrick Doyle’s film score for Murder on the Orient Express out now
Sony Classical proudly announces the release of MURDER ON THE ORIENT EXPRESS (Original Motion Picture Soundtrack) with an original score by Academy Award-nominated composer Patrick Doyle, including a song performed...

Blade Runner 2049 by Benjamin Wallfisch and Hans Zimmer (Soundtrack Review)
I am not sure ambient scores can get much better than this.

Diane Warren to receive Career Achievement Award at 8th HMMA
The Hollywood Music in Media Awards will present acclaimed songwriter Diane Warren with the HMMA Career Achievement award on Thursday, November 16th at Avalon – Hollywood, 1717 Vine St. The HMMA is...

Mychael and Jeff Danna’s film score for Alias Grace out soon
"We chose a chamber group of virtuosic musicians to lay out the complicated fabric of the musical world of ALIAS GRACE. There was interwoven string parts, often with one player...

Evgueni and Sacha Galperine’s about the music in Loveless
“Director Andrey Zvyagintsev’s cinema always shows the invisible link between the intimate stories of human beings and the universe. And often the music personifies this link. Finding the way to...