Tag: Soundtracks

Blade Runner 2049 world premiere concert in Prague
Europe has been a destination for classical concerts for centuries, so it is only fitting that one of the cultural capitols of the world, Prague, should host its annual 4-day...

Dominik Scherrer about the music in ‘Requiem’ (BBC / Netflix)
"I loved that the central character, Mathilda, is a concert cellist. The cello immediately unlocked the door into the score and justified an element of virtuoso solo cello."

Raw Data VR by Jeremy Nathan Tisser (Soundtrack Review)
Look under the surface and you will find intriguing conceptual ideas.

‘Black Mirror: Black Museum’ score by Cristobal Tapia de Veer out now
"In addition to creating a bit of a theme for Rolo to invoke a salesman-like drive, but with a creepy vibe, Tapia de Veer utilized girls voices which poke through...

Concert Tour Review: James Newton Howard – Three Decades of Music for Hollywood
James Newton Howard is my favorite composer of all time. Knowing this, you can probably imagine my excitement when, during summer of 2016, it was announced, that he would follow...

Listen: Filippo Beck Peccoz on Shadow Tactics: Blades of the Shogun OST
"In the end, we need to serve the game itself."

Daniel Sadowski on his retro game score for Bloody Zombies
"I used the TK-Audio BC1 hardware compressor as well as an SSL Clone. By running the soft synths through these hardware compressors and then back into Cubase, I could get...

Patrick Doyle’s film score for Murder on the Orient Express out now
Sony Classical proudly announces the release of MURDER ON THE ORIENT EXPRESS (Original Motion Picture Soundtrack) with an original score by Academy Award-nominated composer Patrick Doyle, including a song performed...

Blade Runner 2049 by Benjamin Wallfisch and Hans Zimmer (Soundtrack Review)
I am not sure ambient scores can get much better than this.

Mychael and Jeff Danna’s film score for Alias Grace out soon
"We chose a chamber group of virtuosic musicians to lay out the complicated fabric of the musical world of ALIAS GRACE. There was interwoven string parts, often with one player...

Evgueni and Sacha Galperine’s about the music in Loveless
“Director Andrey Zvyagintsev’s cinema always shows the invisible link between the intimate stories of human beings and the universe. And often the music personifies this link. Finding the way to...